The musical and acoustic investment of this concert was to recall these bodies as a requiem, as a homage and even as an anti-exorcism. It is written for the two given instruments, harp and voice, with dialogs, discussions, calls and responses between them to evoke the ruins. They have presented their work several times at the Planetarium of Porto in conjunction with a projection of a cosmic journey manipulated in real time. ORA was first sketched out in 2017, following a set of improvisations which resulted in a live album called The Fable of. It started as a reenactment of the mental conditions of institutionalised bodies, as a journey through anti-consciousness and as an escape from the mundane.