Each piece is flexible enough to allow the listener to enter a short or lasting hypnosis, widened, stretched, elongated, extended, dilated, expanded or increased, which gives rise to fertile mantras through the several audio and visual tools. This search for freedom (of the individual and the authentic being) inside a structure (the society), allows the performers to adapt each piece for each concert according to circumstances, context and mood. Therefore the compositions are always different for each performance without losing their essence. The harp’s live recordings allows the foreground and background sounds to spread, creating a sensation of perspective, which creates sound illusions that are pleasant or neurotic, shadows that change with light, ghostly figures, apophenia and pareidolia, myopia and color blindness, abstract landscapes, adaptive and organic structures that suggest a certain meditative state through the repetitive ambiguous textures, improvisations, LOOPs, drones and different ambient special effects.